Booklist (Starred Review) - Terry Hong
"Backman writes with a signature rhythm: a little here, a bit more there, something of this person then that person, a tease about what will happen, warnings about what can’t. The result is a resonant symphony enhanced by the stupendous Ireland, who thankfully returns to Beartown as anointed cipher. The story here “shouldn't take long to tell,” Backman insists, “it starts right here and ends in less than two weeks, and how much can happen in two hockey towns during that time? Not much, obviously.” Oh, what understatement. Ireland embarks on an epic journey to conclude Backman's trilogy with satisfying sighs, plenty of tears, and maybe a wee bit of hope for humanity. The sudden death of local Bearskin bar owner Ramona brings home Maya and Benji, two lost souls who escaped after “the scandal” (when Kevin raped Maya and Beartown self-destructed). Ruth, whose truth was never believed, also returns—as virtually anonymous ashes—pushing her left-behind brother toward revenge against her local killers. Implosions prove inevitable. Ireland miraculously ensures that every voice is memorably heard; in addition to the beloved main cast, Ireland is equally magnificent with the smaller and no less important players including brilliant Zackell, mysterious Lars, prodigious Alicia, surprised Big City, and all the others. Backman admittedly meanders on occasion, but Ireland never misses a beat."
From the Publisher
[An] emotionally wrought, bighearted novel...Backman takes competition, friendship, politics, and town rivalry to appropriately biblical proportions.” —The New York Times
“Backman leaves no emotion unturned, sweeping up the reader in riveting family dramas that jump the boundaries of hockey-town rivalries. Another winner.” —Library Journal (starred review)
“Fredrik Backman is known for his engrossing page-turners, and his latest novel follows suit...A story of revenge, loss, and forgiveness.” —Woman’s World
"Beartown has been the backdrop to some of the darkest dramas of the human heart, but there are still more secrets, rivalries and resentments to contend with in this final installment." —Bookpage
"[A] dramatic and highly satisfying novel, building on themes introduced in the first two books and brilliantly drawing the reader deeply into the story. The translation is nimble and idiomatic, perfectly conveying Backman’s love of language and his wonderful sense of humor. If this really is the last Beartown novel, it’s a hell of a conclusion to an outstanding series" —Booklist, starred review
“Everything Backman’s pen touches oozes with insight and heart. The Winners is sure to be another winner.” —Amazon Book Review
“Backman writes with wit and sincerity and is a talented web-spinner.” —Kirkus
“An often dark, moving story...The book, which works as a standalone read, begins with a devastating storm that leaves a path of destruction in its wake, adding heat to the simmering rivalry between Beartown and the nearby, less-prosperous town of Hed. It’s a world full of both conflict and kindness, where, as the narrator notes, ‘sport is about much more than sport.’” —AARP.com
Kirkus Reviews
2022-07-08
Life continues haltingly for the inhabitants of Beartown and its rival borough, Hed.
As in the two earlier books in this series (Beartown, 2017; Us Against You, 2018), things are never settled between these two hockey-obsessed towns in the forests of Sweden. Only one can seemingly do well at a time—resourcewise or hockeywise; the two are interchangeable—and their residents share a mutual, pathological hatred. Beloved characters return, new ones are introduced, tragedy is promised. Backman repeatedly tells the reader about his characters’ overwhelming love for each other, but their ability to actually care for one another comes and goes with the demands of the unwieldy plot. He wants to assure readers that this makes his characters complex, but it really renders them pawns. To stoke the conflict between the towns, he includes not only the pregnancy-ending factory accident of a nameless woman (ushering in a suspiciously out-of-place anti-abortion sentiment), but also the murder of a beloved dog. These machinations are not alone in being soppy and unearned. The book is almost 700 pages long and covers only a two-week span. Backman writes with wit and sincerity and is a talented web-spinner, but with a tale this long, the lack of nuance becomes grating. There’s also a brief “not all men” message that, given the toxic nature of the narrative, is hard to ignore.
A moralistic noir masquerading as a heart-warmer.
